From showgirl to Hollywood Star

Born in Galveston, Texas, Perrine grew up moving frequently due to her father’s military career, spending time in places like Japan and Paris.

After briefly attending the University of Arizona, she left school behind for a very different path — becoming a dancer in Las Vegas.

She quickly rose to prominence as a lead performer in the iconic Lido de Paris show at the Stardust Hotel, where she earned $800 a week and lived a fast-paced lifestyle she later openly discussed.

In the 1960s, Perrine performed up to 12 shows a week in Las Vegas.

She danced on floors and up and down stairs, in heavy costumes and topless get-ups, all while perfecting her craft. But after eight years in the desert, she knew it was time for a change.

Her transition to Hollywood happened almost by accident. During a visit to Los Angeles, an agent spotted her and asked for photos — the only one she had was from her topless showgirl costume. That image eventually landed her a screen test.

“I decided I needed a change. I moved to Hollywood,” she later said.

“She called me in and asked if I had ever acted before and I said ‘no,’” Perrine once recalled. “She arranged a screen test.”

For that audition, she stayed true to her bold personality:

“They told me to wear a bikini because they wanted to see what my body looked like. I didn’t have a bikini. I wore my G-string and that was it.”

Her confidence paid off, and she quickly landed roles in films like The Last American Hero.

“Acting wasn’t something I pursued. I was at a small dinner party where an agent was looking for someone to play the role… The agent saw something in me and thought I would be perfect for the part. That’s how I became an actress,” Perrine explained in 2025.

Breakthrough role and Oscar recognition

Perrine’s big breakthrough came in 1974 when she starred opposite Dustin Hoffman in Lenny, portraying Honey Harlow, the troubled wife of comedian Lenny Bruce.

The performance earned her widespread acclaim, including the Best Actress award at the Cannes Film Festival, a BAFTA honor, and an Academy Award nomination.

She later became widely known for playing Eve Teschmacher, the assistant and love interest to Lex Luthor, in Superman (1978) and Superman II (1980), starring alongside Christopher Reeve and Gene Hackman.

Overall, Valerie had no problem being labeled a sex goddess or sex bomb—titles that might have bothered others didn’t seem to faze her. She explained her perspective in a 1975 interview with The Houston Post.

“I don’t mind doing nude parts. I won’t be a Marilyn Monroe because I don’t see myself as a piece of meat to begin with. I have a sound personal philosophy,” she said, before expanding on her thoughts.

“Of course the sex goddess thing has disadvantages. People get a certain image of you. I already have to protect myself at parties where so many people just assume they can go to bed with me. Sometimes I get embarrassed. Sometimes I get mad.”

Perrine continued acting for decades, though she stepped away from Hollywood for a time after the 1980 film Can’t Stop the Music received a poor reception. She officially retired around 2010.

Battle with Parkinson’s

In later years, Perrine went public with her Parkinson’s diagnosis, which gradually affected her mobility and independence. Her struggle was documented in the film Valerie, offering a raw look at her daily life.

Despite the challenges, she never lost her humor. In one moment from the documentary, when doctors struggled to explain her condition, she joked:

“The doctors don’t know what’s going on with me… They can’t figure it out.”

When asked what she thought it was, she replied simply:

“Karma.”

Even in the face of illness, Perrine’s wit, resilience, and larger-than-life spirit remained intact — a reflection of the fearless woman who once took Hollywood by storm.